{"id":8559,"date":"2019-04-05T09:57:48","date_gmt":"2019-04-05T07:57:48","guid":{"rendered":"https:\/\/www.miljomagasinet.se\/?p=8559"},"modified":"2019-04-10T14:24:38","modified_gmt":"2019-04-10T12:24:38","slug":"samisk-artivism-pa-vandring","status":"publish","type":"post","link":"https:\/\/www.miljomagasinet.se\/index.php\/2019\/04\/05\/samisk-artivism-pa-vandring\/","title":{"rendered":"Samisk artivism p\u00e5 vandring"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\tEfter textilkonstn\u00e4ren och \u00e5rets mottagare av Stig Dagerman-priset Britta Marakatt-Labbas deltagande p\u00e5 biennalen Documenta 2017 har en formlig explosion av samisk konst \u00e4gt rum i offentligheten.\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\tAnders Sunna, Colonialism Inc.\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Samisk artivism p\u00e5 vandring<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/span><\/o:p><\/span><\/p>\n

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\u00c1igem\u00e1tki\/Tidsresa<\/span>
\n<\/span>Edsvik konsthall, Sollentuna<\/span><\/b>
\n<\/span>L\u00e5t \u00e4lven leva<\/span>
\n<\/span>Tensta konsthall<\/span><\/b>
\n<\/span>p\u00e5g\u00e5r till 22 april 2019<\/span><\/b>
\n<\/span><\/o:p><\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Efter textilkonstn\u00e4ren\noch \u00e5rets mottagare av Stig Dagerman-priset Britta Marakatt-Labbas deltagande\np\u00e5 biennalen Documenta 2017 har en formlig explosion av samisk konst \u00e4gt rum i\noffentligheten. P\u00e5 Moderna museets utst\u00e4llning Manipulera v\u00e4rlden. Aktivera\n\u00d6yvind Fahlstr\u00f6m<\/i> visades vid sidan av hennes finstilta men storslagna\nmonumentalbroderi ett annat stort verk, \u00e4ven det \u201dett vittnesm\u00e5l\u201d:<\/o:p><\/span><\/p>

\u2013 Sommaren 2013\ngenomf\u00f6rdes det provspr\u00e4ngningar i Kallak. Det var massor av aktivister d\u00e4r,\noch vi visste att polisen skulle komma. Jag ville skapa ett sp\u00e5r av alla som\nvar d\u00e4r, oavsett vad de hade f\u00f6r \u00e5sikt, ber\u00e4ttar Katarina Pirak Sikku i\nutst\u00e4llningskatalogen.<\/o:p><\/span><\/p>

Det uppm\u00e4rksammade<\/span><\/b> verket Gall\u00f3k\/Kallak 2013<\/i> best\u00e5r av en fem meter\nbred duk som breddes ut p\u00e5 v\u00e4gen d\u00e4r aktivister f\u00f6rskansat sig. Under\ngruvaktionen och vid arresteringarna betr\u00e4ddes den av m\u00e4nniskor, djur och\nfordon. Duken \u00e4r pr\u00e4glad av dem. En r\u00e5 modern pendang till Marakatt-Labbas\ntextilier om samisk historia. \u00c4n en vittnesb\u00f6rd om exploateringen av Sameland,\nkoloniseringen av S\u00e1pmi. Kon\/genialt av Moderna att inkludera dem i\nutst\u00e4llningen. De f\u00f6rvaltar Fahlstr\u00f6ms politiska, antiimperialistiska och\nifr\u00e5gas\u00e4ttande arv.<\/o:p><\/span><\/p>

F\u00f6rutom p\u00e5 Moderna\nmuseet, Galleri Helle Knudsen och soloutst\u00e4llningen p\u00e5 Lunds konsthall var\nMarakatt-Labba en stor del av utst\u00e4llningen \u00c1igem\u00e1tki<\/i> (Tidsresa).\nIdylliska konsthallen Edsvik i Sollentuna, en del av Edsbergs slott, visade den\n\u00e4kta varan. Vandringsutst\u00e4llningen \u00e4r kurerad av Hilde Skancke Pedersen i\nsamr\u00e5d med Samiska konstn\u00e4rsf\u00f6rbundet (SDS), vars m\u00e5l \u00e4r att \u00f6ka medvetenheten\nkring samisk konst och kultur. \u00c1igem\u00e1tki<\/i> inkluderar ett 20-tal\nkonstn\u00e4rer bosatta inom de svenska, norska och finska delarna av riket S\u00e1pmi. <\/o:p><\/span><\/p>

Konstverken<\/span><\/b> \u00e5terspeglar de senaste 100 \u00e5rens fysiska f\u00f6rh\u00e5llanden men blickar \u00e4ven in\ni framtiden. En arg blick: Det f\u00f6rsta som m\u00f6ter bes\u00f6karen \u00e4r Marakatt-Labbas\nskoningsl\u00f6sa textilier mitt emot Anders Sunnas lika skoningsl\u00f6sa \u201dColonialism\nInc\u201d d\u00e4r \u201dfolkhemmet\u201d likst\u00e4lls med fascism. Folkhem, jomenvisst, men bara f\u00f6r\ndem som vi (staten) definierar som (v\u00e5rt) folk. Sunna \u00e4r en sannings\u00e4gare i\nMarakatt-Labbas anda: konst sprungen ur hj\u00e4rtat.<\/o:p><\/span><\/p>

Om dem har\nMilj\u00f6magasinet skrivit f\u00f6rut. En ny bekantskap \u00e4r d\u00e4remot Tomas Colbengtson.\nHans screentryck p\u00e5 b\u00f6jt glas st\u00e5tar bredvid Sunnas collage: \u201dDe\ntv\u00e5ngsf\u00f6rflyttade\u201d \u00e4r gamla fotografier som tr\u00e4ngs p\u00e5 en yta om cirka fyra\nkvadratmeter. Glasrundeln \u00e4r kringv\u00e4rvd av en grov kedja och h\u00e4ngl\u00e5s. Som g\u00e5r\ndet att ta p\u00e5 klaustrofobin n\u00e4r \u00f6msom staten, \u00f6msom gruv- och turistn\u00e4ringen\ntr\u00e4nger ut samerna hektar f\u00f6r hektar. <\/o:p><\/span><\/p>

Imponerar g\u00f6r \u00e4ven<\/span><\/b> M\u00e1ret \u00c1nne Saras konst som hyllar hantverket, duodji,\noch den politiska tvisten i lika m\u00e5n: P\u00e5 Documenta i Kassel 2017 ingick en del\nav hennes svit Pile o\u2019S\u00e1pmi <\/i>(ungef\u00e4r: Skriet fr\u00e5n skitfl\u00f6det) som\np\u00e5b\u00f6rjades 2016 efter en norsk dom om tv\u00e5ngsslakt. Hon belyser g\u00e4rna kopplingen\nmellan de norra urfolken: Renarna \u00e4r f\u00f6r samerna vad bisonoxarna var f\u00f6r\nuramerikanerna. De utrotades av USA:s milit\u00e4r dels f\u00f6r att sv\u00e4lta ut och dels\nf\u00f6r att ber\u00f6va dem deras land, r\u00e4ttigheter och traditioner. <\/o:p><\/span><\/p>

I\nsviten ing\u00e5r \u201dPowerhalsband\u201d som visas p\u00e5 Tensta konsthalls\nvandringsutst\u00e4llning L\u00e5t \u00e4lven leva<\/i>. Alta-aktionen var en motreaktion\ntill statens hegemoniska exploatering av Alta-Kautokeinovassdraget i norska\nFinnmarken. Dammar skulle byggas, \u00e4lvar \u00f6versv\u00e4mmas, milj\u00f6 f\u00f6rst\u00f6ras, renn\u00e4ring\nhotas. Konsekvenserna f\u00f6r samernas livsf\u00f6ring var inte sekund\u00e4rt, ej ens\nterti\u00e4rt f\u00f6r staten, varken den norska eller svenska. <\/span><\/o:p><\/span><\/p>

Fast Norge tycks<\/span><\/b> ha insett och erk\u00e4nt sina \u00f6vergrepp p\u00e5 ett delvis annat\ns\u00e4tt \u00e4n Sverige; Bergsstaten forts\u00e4tter att l\u00e4ttvindigt, n\u00e4ra per automatik,\nutf\u00e4rda exploateringstillst\u00e5nd till h\u00f6ger och v\u00e4nster, till mestadels utl\u00e4ndska\nbolag. Kanske var det den dramatiska samiska hungerstrejken i Oslo 1979 och den\nefterf\u00f6ljande ockupationen av statsminister Gro Harlem Brundtlands kontor 1981\nsom fick norska staten att inse allvaret, och det egna ansvaret.<\/o:p><\/span><\/p>

Utst\u00e4llningen\n\u00e4r typisk f\u00f6r konsthallen, dess sj\u00e4lva signum: konst- och id\u00e9historia,\nsamh\u00e4llsengagemang och samtidskonst i kombination. La elva leva <\/i>\u00e4r ett\nresultat av tre \u00e5rs utbyte mellan konstn\u00e4rer och akademiker. I fjol visades den\np\u00e5 Office for Contemporary Art i Oslo som ocks\u00e5 framtagit den. Arkivmaterial\nvarvas med ett 40-tal verk, varav flera best\u00e4llningsuppdrag, med kopplingar\ntill aktionen. <\/span><\/o:p><\/span><\/p>

Dessa\nh\u00e5ller \u00f6verlag inte lika h\u00f6g klass som de i \u00c1igem\u00e1tki<\/i>, vilket kan bero\np\u00e5 formen n\u00e4r det konstn\u00e4rliga inte renodlas utan sammanblandas med historia\noch journalistik. Det ena tenderar att skymma det andra. Likv\u00e4l presenterar\nTensta ett v\u00e4rdefullt historiskt och journalistiskt k\u00e4llmaterial j\u00e4mte en\nsamisk konsthistorisk kanon och samtidskonst i \u00e4lvkampens k\u00f6lvatten. B\u00e4st \u00e4r\n\u00e5terigen Marakat-Labba och \u00c1nne Sara. <\/span><\/o:p><\/span><\/p>

Och kampen<\/span><\/b> forts\u00e4tter: Maz\u00e9joavku var ett betydande konstn\u00e4rskollektiv, i vilket\nMarakat-Labba ingick, f\u00f6r s\u00e5v\u00e4l traditionell duodji som samisk samtidskonst.\nSystrarna Elle Marja och Mai-Lis Eira f\u00f6ddes in i Masi-gruppen och f\u00f6r i dag\nkampen mot exploateringen vidare. I Don\u2019t Fuck With Me <\/i>har de iscensatt\nh\u00e4ndelser ur f\u00f6r\u00e4ldrarnas historia, s\u00e5som ovan hungerstrejk och\nkontorockupation.<\/o:p><\/span><\/p>

Det\nb\u00e5dar gott. Och \u00f6ver allt, som en perpetuell p\u00e5minnelse, ligger Nils-Aslak\nValkeap\u00e4\u00e4s omissk\u00e4nnliga jojk till folket med n\u00e4rkontakt; till de stundtals\nk\u00e4rva elementen; till skaparen av en m\u00e4sterplan, om den finns? Valkeap\u00e4\u00e4 h\u00e4ngav\nsig \u00e5t att st\u00e4rka samisk konst med musik och lyrik. Hans trosvissa, naturliga\nton brusar, som en \u00e4lv, \u00e4n i \u00f6ronen n\u00e4r tunnelbanan dundrar in p\u00e5 perrongen och\np\u00e5minner om verkligheten.<\/o:p><\/span><\/p>

Text\noch foto:<\/o:p><\/span><\/i><\/b><\/p>

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Rikard\nRehnbergh<\/span><\/i><\/b><\/o:p><\/span><\/b><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\tBritt Marakatt-Labba, Flygande n\u00e5jder.\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\tPer Isak Juusos installation Re\u00e1hpen.\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\tM\u00e1ret \u00c1nne Sara, Powerhalsband.\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Efter textilkonstn\u00e4ren och \u00e5rets mottagare av Stig Dagerman-priset Britta Marakatt-Labbas deltagande p\u00e5 biennalen Documenta 2017 har en formlig explosion av<\/p>\n","protected":false},"author":6,"featured_media":8622,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pgc_meta":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[19,13,4],"tags":[],"yoast_head":"\nSamisk artivism p\u00e5 vandring - MILJ\u00d6MAGASINET<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.miljomagasinet.se\/index.php\/2019\/04\/05\/samisk-artivism-pa-vandring\/\" \/>\n<meta property=\"og:locale\" content=\"sv_SE\" \/>\n<meta property=\"og:type\" 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